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• They've got the guns. They've got the posse. But they've got no chance when a street-fighting ex-cop (Jet Li) takes on both sides of a fierce Oakland turf war, involving "the wildest action scenes since The Matrix!" (Bill Bregoli, Westwood One). Format: DVD MOVIE Genre: ACTION/ADVENTURE Age: 085391812821 UPC: 085391812821 Manufacturer No: 18128

Seven years after her debut at just 15 years old, Aaliyah assembled a third studio album that was astonishingly mature. Sadly, her death just a little over a month after its release stilled a promising voice in R&B. At 22, when most artists would just be getting started, Aaliyah had already progressed from pop to street to an unconventional retro-modern, risk-taking version of R&B. While lead track "We Need a Resolution" is as mainstream as it gets, there are fewer hits on this album than on previous efforts. Instead, this collection is an extraord! inary romantic exposition of passion and pain. While Missy Elliott is cranking out jams for all her "club freaks," Aaliyah is like a modern-day (if less vocally gifted) Minnie Riperton, exploring the pains of moving from child star to adult sex symbol. Tracks such as "Never No More" and "I Care 4 U" (featuring Missy) are slinky, twisted ballads imbued with film-noir sultriness, as diva Aaliyah steps catlike away from the bubblegum R&B of her contemporaries. There's also the obligatory rock track tacked on near the end ("I Can Be"), but even this excels above the standard hip-hop/rock/R&B crossover fare with its Prince-like influences coupled with Aaliyah's own instinct for seduction. Aaliyah also signaled a move away from her long-standing musical relationship with producer Timbaland, who contributes just three cuts. Having started out heavily supported by R. Kelly, it appeared that Aaliyah was more than able to go it alone. --Jake Barnes Seven years after her debut! at just 15 years old, Aaliyah assembled a third studio album ! that was astonishingly mature. Sadly, her death just a little over a month after its release stilled a promising voice in R&B. At 22, when most artists would just be getting started, Aaliyah had already progressed from pop to street to an unconventional retro-modern, risk-taking version of R&B. While lead track "We Need a Resolution" is as mainstream as it gets, there are fewer hits on this album than on previous efforts. Instead, this collection is an extraordinary romantic exposition of passion and pain. While Missy Elliott is cranking out jams for all her "club freaks," Aaliyah is like a modern-day (if less vocally gifted) Minnie Riperton, exploring the pains of moving from child star to adult sex symbol. Tracks such as "Never No More" and "I Care 4 U" (featuring Missy) are slinky, twisted ballads imbued with film-noir sultriness, as diva Aaliyah steps catlike away from the bubblegum R&B of her contemporaries. There's also the obligatory rock track tacked on near the end ("I Can ! Be"), but even this excels above the standard hip-hop/rock/R&B crossover fare with its Prince-like influences coupled with Aaliyah's own instinct for seduction. Aaliyah also signaled a move away from her long-standing musical relationship with producer Timbaland, who contributes just three cuts. Having started out heavily supported by R. Kelly, it appeared that Aaliyah was more than able to go it alone. --Jake Barnes One In A Million was Aaliyah's second album that saw her sound develop with a new maturity, partly through her collaborations with producers like Timbaland. Includes the singles 'One In A Million', 'If Your Girl Only Knew', 'Got To Give It Up' and '4 Page Letter'. Long out-of-print in the US. Features the same 17 tracks that graced the original pressing. Snapper. 2006.She has already jammed with Gladys Knight in Las Vegas, eloped with influential R&B mogul R. Kelly, and scored two platinum albums--and she's just barely graduated from high school. No, sh! e is not your average teenager, nor is she just another pretty! soul si nger. On One in a Million, Aaliyah expands on the smooth grooves of her massively successful debut album Age Ain't Nothing but a Number, and shows that all the life experiences have not gone to waste. The production and songwriting talents of Tim 'Timbaland' Mosley and rapper Missy Elliot give the songs on One In A Million a seductive edge with laidback grooves and cool hip-hop licks; but what really makes this album rise above is the full-grown singer at the controls. On the title track, a magical ballad, Aaliyah casts a cool spell with layered voices and a smoky delivery. With the assistance of Slick Rick, she turns Marvin Gaye's "Got To Give It Up" into a funky hip-hop jam for the end of the millennium. While with "4 Page Letter," one of the album's high points, she intricately details the end of love affair. Artists twice her age could only hope to create a work of such clarity and resonance. --Aidin Vaziri They've got the guns. They've got th! e posse. But they've got no chance when a street-fighting ex-cop (Jet Li) takes on both sides of a fierce Oakland turf war, involving "the wildest action scenes since The Matrix!" (Bill Bregoli, Westwood One).

DVD Features:
Documentary:8 Short Documentaries (26:56)
Featurette:Making of Romeo Must Die (15:00) Behind the Scenes (14:03)
Music Video:Aaliyah's "Try Again" video (3:40) Making of Aaliyah's "Try Again" music video (4:11) Aaliyah/DMX "Come Back In One Piece" video (3:42)
Other:Inside the Visual Effects Process (3:52) "Diary of a (Legal) Mad Bomber" (5:07) "Anatomy of a Stunt" (7:12) "The Sound Stage" (1:00)
Theatrical Trailer:Sampler

Cinematographer Andrzej Bartkowiak, the cameraman behind Speed, Lethal Weapon 4, and The Devil's Advocate, makes his directorial debut with a lively but by-the-numbers film that mixes Hong Kong action pyrotechnics with gritty urban gang drama. Jet Li ! stars as a jailed cop named Han who hightails it to Oakland, C! aliforni a, to seek revenge for the gang-related murder of his brother. What he finds, though, is a fierce war between his father's syndicate and that of Isaak O'Day (Delroy Lindo) for control of the city's precious waterfront land, as both groups are trying to make a deal with a corrupt football-team owner to build a new stadium. The political shenanigans are basically just a backdrop for the kick-ass action, and to give Li a number of enemies to lock limbs with. It also provides him with a love interest, Trish (hip-hop star Aaliyah), who's O'Day's daughter and like Han, the only straight arrow in a family of crooked mobsters. Li and Aaliyah have a teasing, gentle chemistry, and when they're onscreen together, the movie lights up and glides along smoothly. Li even finds a way to work Aaliyah into one of his action set pieces, using her arms and legs to fight a female adversary because "I can't hit a girl!" However, when these two aren't onscreen (and that's a fair amount of the time! ) the movie plods along, despite a stately turn by Lindo and Isaiah Washington and Russell Wong as two family allies who may not be as loyal as they seem. Li's action, though, is still phenomenal as ever, from his prison breakout (as he takes out a platoon of guards--strung upside down by one leg) to a knockdown-dragout fight with the agile and dangerously sexy Wong. And despite the Romeo and Juliet overtones, this is one mighty chaste romance, albeit one with a happy ending for the star-crossed lovers. --Mark Englehart

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