NAUGHTY CHEERLEADER one-sheet movie poster '70 sexy Barbi Benton!

• This is a VINTAGE movie poster made for use in theaters at the time of the film's original release.
• This is NOT a reproduction, NOT a 'video poster', and is NOT an 'art print'! It is ORIGINAL!
• This item is in very good to fine condition.

Deathstalker (Richard Hill) is the mighty warrior chosen to battle the evil forces of a medieval kingdom, who sets off on a journey to the most challenging tournament in the land. To the winner will go the throne of the evil wizard, the ultimate mystical power and the love of the beautiful Princess Codille (Barbi Benton). But first, Deathstalker must prove himself worthy of his legacy and treachery lurks at every turn.

Brawny blond longhair Richard Hill is the rogue barbarian hero Deathstalker in this hilariously slapdash sword-and-sorcery adventure. Armed with a sword that makes him invincible (provided by an otherwise! completely useless sidekick), he heads off for a tournament of warriors sponsored by an evil wizard with a nasty plot to kill all his rivals... but don't worry about the plot because it makes no sense. This shot-in-Argentina, Roger Corman production features badly staged swordfights, loads of gratuitous nudity, female mud wrestling, trolls in bad rubber masks, and a funky eyeball-eating demon sock puppet. Former Hugh Hefner girlfriend Barbi Benton seems rather embarrassed in her role as a whiny harem girl. John Terlesky took over the title role in the sequel (Deathstalker II: Duel of the Titans) while topless warrior woman costar Lana Clarkson graduated to her own series, Barbarian Queen. --Sean Axmaker

Deathstalker II (John Terlesky) has a mission: to save the kingdom from the wicked grip of the immoral wizard Jerak and his queen Sultana. Together they have ruled the land by creating a controllable evil twin of the lovely Princess Evie (! Monique Gabrielle). Capturing the real Princess Evie, Deathsta! lker mus t now return her to her rightful place of power:but the swordsman’s battle has just begun.

On the eve of her wedding, Amathea (Lana Clarkson) sees her world dissolve: her groom imprisoned, her village razed, her friends attacked and slaughtered. Becoming the Barbarian Queen, she vows revenge and retribution, enticing and then destroying adversaries.

Warrior woman Lana Clarkson (Deathstalker) survives the massacre of her little village (on the eve of her marriage to a tribal prince) and vows revenge. Surrounding herself with an estrogen brigade of female fighters, she makes quick work of the marauders before moving on to the city to lead the brewing rebellion against the evil king. Don't think for a second that this is about empowered women: every female character is raped or molested in the picture. Ostensibly directed by Héctor Olivera (Funny Dirty Little War), this silly, badly dubbed, shot-in-Argentina production is full of gratuito! us nudity and slapdash but serviceable action and is enlivened largely by Clarkson's charisma and energy. Much of the marvelous music is cribbed from James Horner's lush Battle Beyond the Stars score. Clarkson returns in the sequel, Barbarian Queen II: The Empress Strikes Back. --Sean Axmaker

Travel to a distant world of exciting battles, exotic women, mystical secrets and evil wizards in The Warrior And The Sorceress. Kain (David Carradine) was once an exalted warrior-priest but now wanders the planet Vra as a mercenary sword-for-hire. In the small village of Yam-A-Tar, he finds two vicious clans struggling for power, and he becomes embroiled in the treachery and battles, the mighty wizardry and rampant debauchery.Bob Hope interview,Barbi Benton pictorial

This product is manufactured on demand using CD-R recordable media. Amazon.com's standard return policy will apply.

An Original Vintage Theater-Used Tri-Folded One-Sheet Movi! e Poster (measures 27" x 41") from Mir Hat es Immer SpaB Gemac! ht (rele ased in the U.S. as "The Naughty Cheerleader" and internationally as "How Did a Nice Girl Like You Get Into This Business?"), the 1970 Will Tremper German sexploitation sports movie ("She started playing out on the field and ended up playing in the Bedroom-") starring Barbi Benton (best-remembered as the Playboy Playmate who landed Hugh Hefner), Jeff Cooper, Broderick Crawford, Marc De Vries, Hampton Fancher, Claude Farell, Hugh M. Hefner, and Klaus Kinski

This poster was tri-folded only (which means there is no vertical machine fold) but because it would be more expensive to send flat, it will be sent rolled in a tube.

Fabric Embellishing: the Basics & Beyond: More Than 50 Techniques With Step-by-step Photos

• ISBN13: 9780981804033
• Condition: New
• Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!

In 160 pages with hundreds of photos, examples and illustrations, fiber artist, author and teacher Heather Thomas invites you to begin a new journey into classic color theory and the principles of design. Learn and apply color terminology, color scale, color value, color dominance, color temperature, complex colors, design elements, line, shape, blending and form. Also, texture, size and scale, design principles, contrast and balance. Workshop lessons such as monochromatic quilts-exploring the use of color, scale and contrast provide opportunities to practice. Another of the best-selling award winning Basics & Beyond titles from Landauer.5th in the bestselling basics & beyond series. 50 techniques are ! presented in three distinct categories. Clear instructions, complete step-by-step photography, creative inspiration from four renowned fiber artists, resource guide on products used and where to find them. Hundreds of color photos and illustrations. Full color throughout.

Clean

• Maggie Cheung (2046) gives a bravura performance as a complex, troubled woman who is trying to forge a bond with her young son, while at the same time healing and distancing herself from a past full of drugs, jail, and turbulent relationships. Format: DVD MOVIE Genre: DRAMA Rating: R Age: 660200313722 UPC: 660200313722 Manufacturer No: PALMDV3137

Four months after pregnant Sara loses her husband in a horrific auto accident, she is visited on Christmas Eve by a mysterious madwoman. Alone and desperate to save her unborn child, Sara fights to stay alive as each of her potential rescuers die at the womans sadistic hands.Hailed by several critics as the first great French horror film this millennium, Inside opens on a gory note and stays true to the bloodfest throughout. But rather than using splatter-gore for comedic effect, as did young directing team Julien Maury and Alexandre Bust! illo's predecessor, Hershell Gordon-Lewis, this duo timed their gore to build tragic suspense, scene after disgusting scene. The strength of Inside's plot is its simplicity, though the film is slow at first. Pregnant photojournalist, Sarah Scaragato (Alysson Paradis), has just lost her husband in a fatal car accident and is in recovery when her baby is due on Christmas Eve, in fact. Morose, she rejects friend and family visits, opting to stay home. A bewitched predator, played by Beatrice Dalle, senses Sarah's vulnerability and seizes upon it like a spider capturing prey in its web. The tale, woven around maternal psychosis, reveals Dalle's haunting preoccupation with stealing Scaragato's unborn baby. Each character who enters Sarah's house, the "war zone" as one doomed policeman puts it, encounters the wrath of two women fighting with mirror shards, knitting needles, scissors, hurled kitchen appliances, and even a homemade bayonette. Like the best horror thrillers a! bout motherhood---Rosemary's Baby, Don't Look Now, Al ien---Inside seizes ample symbolic opportunities to exhibit the primal obsession women have with babies. Even better, Inside invites feminist critique as do other female-centric horror films such as Ginger Snaps, whose plots not only include strong, vengeful female victims, but also sympathetic, criminal femme fatales. An entertaining "Making of Inside" featurette follows, revealing makeup and special effects techniques. Inside is for a specific audience; as scenes get redder and wetter, the squeamish may find it sickening---beware and enjoy. â€"Trinie DaltonSex and sunlight are on ample display in Betty Blue, director Jean-Jacques Beineix's passionate look at mad love. (Every French director is contractually required to make at least one movie about l'amour fou.) It begins at the seashore, where handyman and failed novelist Zorg (Jean-Hugues Anglade) has his life electrified by Betty, a woman whose sense of abandon freque! ntly tips over into the pathological. This was the role that introduced gap-toothed, voluptuous Beatrice Dalle to the world, and neither Dalle nor the world has ever quite recovered. Traces of Beineix's preciousDiva are still present, though this is a darker and more memorable ride, especially in the three-hour "version integrale" that restores an hour of footage. Its copious nude scenes are a drawing card, but stick around for the age-old alchemy of life translated into art. Gabriel Yared's score is a favorite of movie-soundtrack mavens, especially its haunting piano theme. --Robert HortonEmily Wang (Maggie Cheung) is a woman who wrestles with her dream of becoming a singer, her fitness as a mother, and daily life without her partner Lee (James Johnston). Her past is riddled with drugs and regrets, the result of which left Lee dead in a desolate motel room in Hamilton, Ontario, and landed Emily with a six-month jail sentence. The only thing that she desires! for the future is a loving relationship with her son Jay, who! is bein g cared for by Lee’s parents, Albrecht (Nick Nolte) and Rosemary (Martha Henry). While Rosemary blames Emily for the death of Lee, Albrecht recognizes the importance of the bond between a mother and her son, and his faith sets the standard for the faith Emily must find in herself. CLEAN follows Emily to Hamilton, Paris, London and San Francisco and in three languages, as she battle for a place in a world reluctant to forget the woman she has been and unwilling to accept her as the woman she longs to be.After the uncharacteristically epic Les Destinées and surprisingly cynical Demonlover, Olivier Assayas got his groove back with the cautiously optimistic Clean. Granted, the globe-trotting tale gets off to a grim start, but the grace notes gradually begin to accumulate. Corkscrew-coiffed Emily (Hong Kong superstar Maggie Cheung) is the outspoken lover of struggling musician Lee (James Johnston, formerly of Brit band Gallon Drunk). She's also a heroin ! addict, just like her partner. When he dies from an overdose, she does time for possession, while his Canadian parents, Albrecht (Nick Nolte in a nicely-shaded performance) and Rosemary (Martha Henry), gain custody of son Jay (James Dennis). Upon release, Emily returns to France to find work, stay clean, and earn the right to reclaim her child. Except for Albrecht, no one believes she can pull it off. Worse yet, many hold her responsible for Lee's death. (The echoes of Courtney Love and Yoko Ono can't be coincidental.) A decade has passed since Assayas directed Cheung in the dazzling Irma Vep. Since that time, they married and divorced, but the professional relationship persists, culminating in a Best Actress award at Cannes for a performance that calls for dialogue in English, French, and Cantonese--even some singing. As suggested by the title, Clean is cool and somewhat detached, an effect reinforced by Éric Gautier's crisp cinematography and a soundtrack h! eavy on early Eno, but it sidesteps the histrionics frequently! associa ted with the recovery film. Featuring Tricky and David Roback (Mazzy Star) as themselves. --Kathleen C. Fennessy