Thursday, December 1, 2011

From Dusk Till Dawn 3- The Hangman's Daughter Movie Poster Print, 27x41

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Kevin Smith Boxed Set (Clerks / Chasing Amy / Jay and Silent Bob Strike Back) [Blu-ray]

  • CLERKS: CLERKS is one wild day in the life of a pair of overworked counter jockeys whose razor-sharp wit and on-the-job antics give a whole new meaning to customer service. CHASING AMY: Filled with Smith's unique ear for dialogue and insight into relationships, CHASING AMY offers a thoughtful, funny look at how perceptions alter lives, and how obsession and self-doubt skew reality. JAY AND SILENT
Chasing Amy is the third installment in the "New Jersey Trilogy" from award-winning writer-director Kevin Smith (Clerks, Mallrats, Dogma). Cult comic-book artist Holden (Ben Affleck) falls in love with fellow artist Alyssa (Joey Lauren Adams), only to be thwarted by her sexuality, the disdain of his best friend Banky (Jason Lee), and his own misgivings about himself. Filled with Smith's unique ear for dialogue and insight into relationships, Chasing Amy offers a thoughtful, funny! look at how perceptions alter lives, and how obsession and self-doubt skew reality. Writer-director Kevin Smith (Clerks) makes a huge leap in sophistication with this strong story about a comic-book artist (Ben Affleck) who falls in love with a lesbian (Joey Lauren Adams) and actually gets his wish that she love him, too. Their relationship is attacked, however, by his business partner (Jason Lee), who pulls a very unsubtle Iago act to cast doubt over the whole affair. The film has the same sense of insiderness as Clerks--this time, Smith takes us within the arcane, funny world of comic-book cultism--but the themes of jealousy, deceit, and the high price of growing up enough to truly care for someone make this a very satisfying movie. --Tom Keogh Chasing Amy is the third installment in the "New Jersey Trilogy" from award-winning writer-director Kevin Smith (Clerks, Mallrats, Dogma). Cult comic-book artist Holden (Ben Affleck) falls in love with fello! w artist Alyssa (Joey Lauren Adams), only to be thwarted by he! r sexual ity, the disdain of his best friend Banky (Jason Lee), and his own misgivings about himself. Filled with Smith's unique ear for dialogue and insight into relationships, Chasing Amy offers a thoughtful, funny look at how perceptions alter lives, and how obsession and self-doubt skew reality.Writer-director Kevin Smith (Clerks) makes a huge leap in sophistication with this strong story about a comic-book artist (Ben Affleck) who falls in love with a lesbian (Joey Lauren Adams) and actually gets his wish that she love him, too. Their relationship is attacked, however, by his business partner (Jason Lee), who pulls a very unsubtle Iago act to cast doubt over the whole affair. The film has the same sense of insiderness as Clerks--this time, Smith takes us within the arcane, funny world of comic-book cultism--but the themes of jealousy, deceit, and the high price of growing up enough to truly care for someone make this a very satisfying movie. --Tom Keogh CHA! SING AMY, the third installment in the New Jersey Trilogy from award-winning writer/director Kevin Smith becomes more intimate and alive than ever on Blu-ray. Cult comic-book artist Holden (Ben Affleck) falls in love with fellow artist Alyssa (Joey Lauren Adams), only to be thwarted by her sexuality, the disdain of his best friend Banky (Jason Lee) and his own misgivings about himself. Filled with Smith's unique ear for dialogue and insight into relationships, CHASING AMY offers a thoughtful, funny look at how perceptions alter lives, and how obsession and self-doubt skew reality -- now with the pristine picture and theater-quality sound of Blu-ray High Definition.

Bonus Features Include: Audio Commentary With Writer/Director/Actor Kevin Smith And Producer Scott Mosier, Tracing Amy: The CHASING AMY Doc, Was It Something I Said? -- A Conversation With Kevin & Joey, 10 Years Later Q & A -- With Kevin Smith And The Cast, Deleted Scenes, Outtakes, TrailerWriter-director ! Kevin Smith (Clerks) makes a huge leap in sophisticat! ion with this strong story about a comic-book artist (Ben Affleck) who falls in love with a lesbian (Joey Lauren Adams) and actually gets his wish that she love him, too. Their relationship is attacked, however, by his business partner (Jason Lee), who pulls a very unsubtle Iago act to cast doubt over the whole affair. The film has the same sense of insiderness as Clerks--this time, Smith takes us within the arcane, funny world of comic-book cultism--but the themes of jealousy, deceit, and the high price of growing up enough to truly care for someone make this a very satisfying movie. --Tom KeoghStudio: Lions Gate Home Ent. Release Date: 05/17/2011 Run time: 113 minutes Rating: RWriter-director Kevin Smith (Clerks) makes a huge leap in sophistication with this strong story about a comic-book artist (Ben Affleck) who falls in love with a lesbian (Joey Lauren Adams) and actually gets his wish that she love him, too. Their relationship is attacked, however, ! by his business partner (Jason Lee), who pulls a very unsubtle Iago act to cast doubt over the whole affair. The film has the same sense of insiderness as Clerks--this time, Smith takes us within the arcane, funny world of comic-book cultism--but the themes of jealousy, deceit, and the high price of growing up enough to truly care for someone make this a very satisfying movie. --Tom Keogh Writer-director Kevin Smith (Clerks) makes a huge leap in sophistication with this strong story about a comic-book artist (Ben Affleck) who falls in love with a lesbian (Joey Lauren Adams) and actually gets his wish that she love him, too. Their relationship is attacked, however, by his business partner (Jason Lee), who pulls a very unsubtle Iago act to cast doubt over the whole affair. The film has the same sense of insiderness as Clerks--this time, Smith takes us within the arcane, funny world of comic-book cultism--but the themes of jealousy, deceit, and the! high price of growing up enough to truly care for someone mak! e this a very satisfying movie. --Tom Keogh BOTH DUMPED BY THEIR GIRLFRIENDS, TWO BEST FRIENDS SEEK REFUGEIN THE LOCAL MALL.Sophomore jinx hit hard in this second film by Kevin Smith, whose debut Clerks transcended the limits of its setting and budget to become something memorably funny. (Smith followed Mallrats with the wonderful Chasing Amy, so Mallrats definitely had the old curse.) A ramshackle comedy set in a mall, the film follows several story lines involving lovers, enemies, friends, goofballs, and Smith's own "silent" character, who also appeared in Clerks and Chasing Amy. A heavy self-consciousness weighs on everything, as if Smith forgot how to make obscenity funny instead of tedious. Still, it's nice to see some of the director's film family on screen, among them Jason Lee and Joey Lauren Adams. --Tom Keogh CLERKS is one wild day in the life of a pair of overworked counter jockeys whose razor-sharp wit and on-the-j! ob antics give a whole new meaning to customer service.

CHASING AMY: Filled with Smith's unique ear for dialogue and insight into relationships, CHASING AMY offers a thoughtful, funny look at how perceptions alter lives, and how obsession and self-doubt skew reality.

JAY AND SILENT BOB STRIKE BACK: Wildly irreverent and packed with stars, including Ben Affleck, Chris Rock, Jason Lee and more, the hilarious conclusion of Jay and Silent Bob's story is big entertainment.Clerks
Before Kevin Smith became a Hollywood darling with Chasing Amy, a film he wrote and directed, he made this $27,000 comedy about real-life experiences working for chump change at a New Jersey convenience store. A rude, foul-mouthed collection of anecdotes about the responsibilities that go with being on the wrong side of the till, the film is also a relationship story that takes some hilarious turns once the lovers start revealing their sexual historie! s to one another. In the best tradition of first-time, ultra-l! ow budge t independent films, Smith uses Clerks as an audition piece, demonstrating that he not only can handle two-character comedy but also has an eye for action--as proven in a smoothly handled rooftop hockey scene. Smith himself appears as a silent figure who hangs out on the fringes of the store's property. --Tom Keogh

Chasing Amy
Writer-director Kevin Smith (Clerks) makes a huge leap in sophistication with this strong story about a comic-book artist (Ben Affleck) who falls in love with a lesbian (Joey Lauren Adams) and actually gets his wish that she love him, too. Their relationship is attacked, however, by his business partner (Jason Lee), who pulls a very unsubtle Iago act to cast doubt over the whole affair. The film has the same sense of insiderness as Clerks--this time, Smith takes us within the arcane, funny world of comic-book cultism--but the themes of jealousy, deceit, and the high price of! growing up enough to truly care for someone make this a very satisfying movie. --Tom Keogh

Jay and Silent Bob Strike Back
With sidesplitting dialogue and rampant profanity, Jay and Silent Bob Strike Back reunites Kevin Smith's dynamic duo in supreme lowbrow style. It's the fifth comedy in Smith's celebrated New Jersey "trilogy." Here Quick-Stop potheads Jay (Jason Mewes) and Silent Bob (Smith) wreak vengeance on Hollywood, where Miramax is making a "Bluntman & Chronic" feature inspired by J. and S.B., but without their permission. En route from Jersey to La La Land, Jay and his "hetero life mate" encounter sexy jewel thieves (including the delightful Shannon Elizabeth), a precocious orangutan, a dimwit wildlife marshal (Will Ferrell), and a nonstop parade of in-jokes, harmless (yet controversial) gay jokes, and splendid celebrity cameos. While gently biting the Miramax hand that feeds him, and paying affectionate! homage to the Star Wars saga, Smith sheds all inhibi! tions to give Jay and Silent Bob a stellar sendoff that's nasty, sassy, and undeniably hilarious. --Jeff Shannon
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Earth 2 - The Complete Series

  • Actors: Debrah Farentino, Clancy Brown, Jessica Steen, Antonio Sabato.
  • Format: Box set, Closed-captioned, Color, Dolby, Full Screen, NTSC.
  • Language: English. Subtitles: English, Spanish.
  • Region: Region 1 (U.S. and Canada only).
  • Not Rated. Run Time: 1025 minutes.
Rhoda and john two people whose worlds collide after a tragic accident. Their intimate drama plays out against the astounding discovery of earth 2 a parallel world that poses provocative and fascinating possibilities. Does a new earth mean a chance at another life? another destiny? another self? Studio: Tcfhe Release Date: 11/29/2011 Run time: 93 minutes Rating: Pg13Another Earth is an unusual hybrid of existential rumination on life choices, mind-bending sci-fi supposition, and challenging indie art film that moves at a pace that is often maddeningly oblique. Based on the marketing campaign,! which plays up the science-fiction angle and special effects (of which there are very few, consisting mainly of offhand composite shots), the movie seems to be trawling for an audience that may be sorely disappointed by all the roundabout and often repetitive philosophically conceptual ideas that are hard to follow. That's not to say that Another Earth isn't rich in ideas or absorbing in its own right as a meditation on how specific moments play out and affect the cascade of alternatives that follow in their wake. Using broadly impressionistic and experimental strokes, the story follows the disjointed meanderings of 17-year-old Rhoda, who causes a tragic accident while driving drunk after celebrating her acceptance into college. The collision happens when she becomes distracted by the mesmerizing planetary image glowing above her car's moon roof, which has just been identified as an exact duplicate of Earth. After four years of incarceration, she continues to suffer! terrible remorse and tries to find a way to make peace with h! erself a nd the older man whose life and family she all but destroyed, and who is now crippled by depression. Her initial self-imposed penance is to adopt the role of an anonymous maid who comes to clean his decrepit house every week. As precious few details are added to their individual and mutual evolution and motivation, the constant of the alternate Earth, which has been steadily moving closer (along with its mirror-image Moon), hovers in the day and night sky, gazed upon with wonder and a growing idea that maybe it represents the redemption Rhoda can't find on her own. A corporate contest that will allow an ordinary citizen to make a shuttle trip to Earth 2 (or is it Earth 1?) becomes the catalyst for her belief that she can fundamentally alter both their lives for the better, but the movie never shows its hand in how or if this might work. Another Earth is another of those high-minded indie dramas that relies a little too heavily on rambling structure, shaky handheld dig! ital camera, and arty shots of things like the play of light, clouds, and swirling dust motes to convey the corners of its characters' sometimes fascinating, sometimes inscrutable souls. Much has been made of the film's final shot, which is truly stunning in its unexpectedness and implications. But what those implications are will be cause for unending debate among viewers, many of who may never be able to come up with a satisfying answer. --Ted FryJJ Abrams and Steven Spielberg join forces in this extraordinary tale of youth, mystery, and adventure. Super 8 tells the story of six friends who witness a train wreck while making a Super 8 movie, only to learn that something unimaginable escaped during the crash. They soon discover that the only thing more mysterious than what it is, is what it wants. Experience the film that critics rave is, “filled with unstoppable imagination and visual effects to spare. It will put a spell on you.” â€" Peter Traver! s, Rolling StoneFew filmmakers have ever had a run at the tabl! es like Steven Spielberg, whose output from 1971's Sugarland Express to, say, 1982's E.T. displayed an amazingly unforced melding of huge set pieces and small human gestures. Even at their most chaotic, they somehow felt organic. Super 8, writer-director J.J. Abrams's authorized tribute to classic Spielbergisms, hits all of the marks (Lived-in suburbia backdrop, check. Awestruck gazes upwards, check. Parental discord, check. Lens flares, amazingly huge check), but its adherence to the formula squelches much of its own potential. Appealing as it is to see a summer movie that retro-prioritizes character development over jittery quick-cut explosions, the viewer is always aware at how furiously it's working to seem effortless. Set in 1979, Abrams's script follows a group of movie-crazy kids attempting to make a zombie flick, only to have their plans cut short by a close encounter with a train derailment. As the military pours over the wreckage and neighbors start di! sappearing, the gang realizes that their footage contains a cameo appearance by an extremely grumpy guest star. For a film whose promotional campaign hinged so strongly on creating an air of mystery, Super 8 is a fairly straightforward melding of E.T. and Jurassic Park, albeit one featuring an oddly schizophrenic monster (he eats people… until he doesn't). Abrams makes his young cast shine (particularly when developing a hint of romance between leads Joel Courtney and Elle Fanning), while also providing a nice character arc for Kyle Chandler, as a widowed deputy who can see his relationship with his son slipping away. Aside from a few primo early jolts, however, the creature-feature aspects feel increasingly shoehorned in alongside the more assured coming-of-age elements. Abrams's film has more than enough bright spots to warrant a viewing, but its insistence on worshipfully following the master's playbook is a bit of a bummer. Imitation isn't always ! flattering. --Andrew WrightAnother Earth is an u! nusual h ybrid of existential rumination on life choices, mind-bending sci-fi supposition, and challenging indie art film that moves at a pace that is often maddeningly oblique. Based on the marketing campaign, which plays up the science-fiction angle and special effects (of which there are very few, consisting mainly of offhand composite shots), the movie seems to be trawling for an audience that may be sorely disappointed by all the roundabout and often repetitive philosophically conceptual ideas that are hard to follow. That's not to say that Another Earth isn't rich in ideas or absorbing in its own right as a meditation on how specific moments play out and affect the cascade of alternatives that follow in their wake. Using broadly impressionistic and experimental strokes, the story follows the disjointed meanderings of 17-year-old Rhoda, who causes a tragic accident while driving drunk after celebrating her acceptance into college. The collision happens when she becomes di! stracted by the mesmerizing planetary image glowing above her car's moon roof, which has just been identified as an exact duplicate of Earth. After four years of incarceration, she continues to suffer terrible remorse and tries to find a way to make peace with herself and the older man whose life and family she all but destroyed, and who is now crippled by depression. Her initial self-imposed penance is to adopt the role of an anonymous maid who comes to clean his decrepit house every week. As precious few details are added to their individual and mutual evolution and motivation, the constant of the alternate Earth, which has been steadily moving closer (along with its mirror-image Moon), hovers in the day and night sky, gazed upon with wonder and a growing idea that maybe it represents the redemption Rhoda can't find on her own. A corporate contest that will allow an ordinary citizen to make a shuttle trip to Earth 2 (or is it Earth 1?) becomes the catalyst for her belief ! that she can fundamentally alter both their lives for the bett! er, but the movie never shows its hand in how or if this might work. Another Earth is another of those high-minded indie dramas that relies a little too heavily on rambling structure, shaky handheld digital camera, and arty shots of things like the play of light, clouds, and swirling dust motes to convey the corners of its characters' sometimes fascinating, sometimes inscrutable souls. Much has been made of the film's final shot, which is truly stunning in its unexpectedness and implications. But what those implications are will be cause for unending debate among viewers, many of who may never be able to come up with a satisfying answer. --Ted FryA science-fiction series with an ecological theme, EARTH 2 only ran for one season on NBC, and all 22 episodes of the program are collected here. In the distant future, the surface of the Earth has been largely destroyed, and mankind lives in space stations orbiting the planet. A group of space colonists, led by Devon Adair (D! ebrah Farentino) and John Danzinger (Clancy Brown), are sent to a far off planet to prepare it for colonization by the surviving population of Earth. But a mishap sends them careening off-course, crash landing thousands of miles from the proper camp site. EARTH 2 follows the band of colonists as they traverse the planet, encountering dangerous aliens and other humans who view them with distrust and suspicion. By tackling issues like ecology and colonization, EARTH 2 engages important ideas and themes in an entertaining fashion.
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Enter the Void

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Garmin eTrex Venture HC GPS Receiver

  • High-Sensitivity, WAAS-Enabled GPS Receiver Provides Peak Performance In Any Environment
  • Built-In Basemap Includes Lakes, Rivers, Cities, Interstates, National & State Highways, Railroads & Coastlines
  • Features A 1.7-InchH X 1.3-InchW Screen With 256-Level Color Tft
  • Usb Compatible For High-Speed Map Downloads
  • 24 Mb Of Internal Memory Allows User To Load Waypoints & Routes From The Included Mapsource Trip & Waypoint Manager Software
HELD UP - DVD MovieIn Held Up, a romantic trip turns sour when Rachel (Nia Long) learns that Michael (Jamie Foxx) used the down payment for their future home to buy a classic car. Disgusted, she leaves him at a roadside gas station in the middle of the Nevada desert. Soon the car is stolen, thieves descend to rob the place, and the untimely arrival of the police creates a hostage situation with Michael in the middle. The circ! umstances want to cascade into mounting absurdity, but the ending doesn't quite provide a strong capper. Still, getting there is entertaining. Foxx is engaging, and the supporting cast--including Julie Hagerty, John Collum, Barry Corbin, and Jake Busey--create a colorful collection of locals. --Bret FetzerKaitlin Olson (It's Always Sunny In Philadelphia) stars opposite Jon Dore in this hilarious heist comedy written and directed by Jason and Randy Sklar (Cheap Seats). A disgruntled and bored bank teller named Ray (Jon Dore) finally gets his wish for some excitement when the branch is held up by two teams of crazy robbers disguised as Rocky I, Rocky II, Batman and Robin. As the robbery unfolds, the hostages fall victim to a comedic version of the Stockholm Syndrome and begin sympathizing with their dimwitted captors, which leads to an extended siege as Ray pursues a romantic relationship with one of the robbers (Kaitlin Olson).

This product is manufactured on de! mand using DVD-R recordable media. Amazon.com's standard retur! n policy will apply.

SPRUNG/HELD UP - DVD MovieMy Best Friend's Girl:
Smart, beautiful and headstrong, Alexis is the girl of Dustin's dreams. But after only five weeks of dating, the love-struck Dustin is coming on so strong that Alexis is forced to slow things down - permanently. Devastated and desperate to get her back, Dustin turns to his best friend, Tank, the rebound specialist. A master at seducing - and offending - women, Tank gets hired by freshly dumped guys to take their ex-girlfriends out on the worst date of their lives - an experience so horrible it sends them running gratefully back to their beaus. But when Tank works his magic on Alexis, he ends up meeting the challenge of a lifetime. Alexis is the first girl who knows how to call his bluff, and Tank soon finds himself torn between his loyalty to Dustin and a strange new attraction to his best friend's girl.

Held Up:
Michael Dawson (Jamie Foxx) is a winner. He is a sexy! , smart and successful Chicago businessman on vacation with his beautiful fiancee, Rae (Nia Long). But Michael's world is turned upside down when Rae dumps him in the desert - his car is jacked by a teenager; and worse, he is taken hostage in a stickup at the local Sip and Zip. What should have been a romantic getaway, turns into one hilarious bungle after another.

Jailbait:
It's not easy being the most popular couple in high school. Adam and Amber are the golden pair of Gaitlin High and are very busy being cool. Yet somehow Adam fins time for extracurricular activities, like "making it" with Gynger, a sophomore, in the bathroom ofa local restaurant. Soon, Adam's tidy world starts to fall apart when he finds out Gynger is pregnant. An ambitious Assistant District Attorney decides to file charges against Adam. Trying to help, Adam's parents hire a third-rate attorney whose every move just makes matters worse! Jailbait! is a wickedly funny look! at how far some guys will go to score. Can Adam find a way to! keep hi mself out of jail and his girlfriend by this side? Watch this hysterical teen comedy featuring a cool cast of young stars and a hip soundtrack. See what happens when hormones rage and you're under age!!

Loco Love:
When Donald's wealthy wife leaves him and takes his restaurant with her, help comes in the unlikely for of his gardener (Gerado Mejia) and recent lottery winner. The gardener offers him a new restaurant if he agrees to marry his beautiful but shrewish sister (Laura Elena Harring) so she can get a green card. Donald's luck seems to have gone from bad to worse as he finds that he has not onlymarried an incredibly feisty woman but also an equally eccentric and wacky family. Cultures clash and roles reverse in this zesty comedy that proves love knows no borders.In Held Up, a romantic trip turns sour when Rachel (Nia Long) learns that Michael (Jamie Foxx) used the down payment for their future home to buy a classic car. Disgusted, she lea! ves him at a roadside gas station in the middle of the Nevada desert. Soon the car is stolen, thieves descend to rob the place, and the untimely arrival of the police creates a hostage situation with Michael in the middle. The circumstances want to cascade into mounting absurdity, but the ending doesn't quite provide a strong capper. Still, getting there is entertaining. Foxx is engaging, and the supporting cast--including Julie Hagerty, John Collum, Barry Corbin, and Jake Busey--create a colorful collection of locals. --Bret Fetzer

eTrex Venture HC is an essential for any outdoor excursion. It features a high-sensitivity GPS receiver for peak performance in any environment and includes 24 megabytes (MB) of internal memory, a detailed basemap and crisp color screen.

An essential for any outdoor excursion. < /td>

The H series marries high-sensitivity GPS with full-featured mapping, for a superb portable receiver.

Basemap contains lakes, rivers, cities, interstates, national and state highways and coastlines.

Make trip planning simple for your next outdoor adventure with the included MapSource Trip and Waypoint Manager.

Proven Performance an! d Full-Featured Mapping


Clear Reception
The Garmin eTrex Venture HC helps you navigate through the toughest terrain. The unit is equipped with a high-sensitivity, WAAS-enabled GPS receiver, which locates your position quickly and precisely and maintains its GPS location even in heavy cover and deep canyons. The advantage is clear: whether you're traipsing through thick woods or strolling near tall buildings and trees, you can count on the Venture HC to help you find your way when you need it the most.

Intuitive Operation
At the same time, the Venture HC's easy-to-use menu lets you create and view waypoints (up to 500), save and view 10 track logs, access setup features, and more. It even offers 24 MB of internal memory and a detailed basemap, so you can load waypoints and routes from the included MapSource Trip & Waypoint Manager software and add map detail from Garmin's entire line of optional MapSource mappin! g products.

Besides appreciating its small size, outdo! orsmen w ill also be happy with the Venture HC's unique button layout, with five buttons located on either side of the unit. The benefits of this design are twofold: First, the Venture HC is a breeze to operate with just one hand, and, second, with the buttons on both sides of the unit, the bulk of the front is dedicated to the 256-color, sunlight-readable TFT display. This makes it easy to distinguish map details regardless of the time of day.

Comprehensive Basemap
The Venture HC's Americas Recreational basemap, meanwhile, contains lakes, rivers, cities, interstates, national and state highways, railroads, and coastlines--in short, a host of helpful details for your outdoor adventures.

The map covers the United States, Canada, Mexico, and Central and South America.

And More...
Other details include an IPX7 waterproof housing, a built-in patch antenna, a USB interface, a hunt/fish calendar, sun and moon inform! ation, and a geocaching mode.

The Venture HC, which runs for up to 14 hours on a pair of AA batteries (not included), measures 2.2 by 4.2 by 1.2 inches (W x H x D) and is backed by a one-year warranty.

Trip and Waypoint Manager

Make trip planning simple for your next outdoor adventure with the included MapSource Trip and Waypoint Manager. This computer software allows you to transfer waypoints, routes and tracks between your Garmin device and your computer. For reference, Trip and Waypoint Manager provides general worldwide maps that include interstates, motorways, political boundaries, principal cities and towns, oceans and other general reference details to place your GPS data in context.

What's in the Box

eTrex Venture HC, Basemap, MapSource Trip & Waypoint Manager Software, USB Cable, Wrist Strap, Quick Start Guide, User's Manual.
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Bringing Down The House (Full Screen Edition)

  • The hilarious Steve Martin (FATHER OF THE BRIDE) and Academy Award(R)-nominee Queen Latifah (Best Supporting Actress, 2002, CHICAGO) star with Eugene Levy (AMERICAN PIE) in the laugh-out-loud hit comedy BRINGING DOWN THE HOUSE. Peter Sanderson (Martin), a divorced, straitlaced, uptight workaholic attorney, meets a brainy bombshell lawyer in an on-line chat room and they make a date. Expecting his
The long-running New York Times bestseller that has become a cultural phenomenon, Bringing Down the House is an action-filled caper carried out by the unlikeliest of cons -- supersmart geeks. Gambling pervaded the M.I.T. campus, and genius kids with money and glittering futures were just as likely to be found in a Paradise Island casino as in the school library. A highly elite group of mathletes was recruited to join The Club, a small, secret blackjack organization dedicated to counting! cards and beating the major casinos across the nation at their own game. As a successful ring of card savants, backed by a mysterious ringleader and shadowy investors, they infiltrated Vegas and won millions.

The Boston Herald acclaimed it as "a suspenseful tale that portrays the players as Davids going up against Goliaths." And Bill Simmons of ESPN magazine exclaimed, "This book made me want to gamble! Vegas! Vegas!" Filled with tense action, high stakes, and incredibly close calls, Bringing Down the House is a nail-biting chronicle of a real-life Ocean's Eleven. It's one story that Vegas does not want you to read.The hilarious Steve Martin (FATHER OF THE BRIDE) and Academy Award(R)-nominee Queen Latifah (Best Supporting Actress, 2002, CHICAGO) star with Eugene Levy (AMERICAN PIE) in the laugh-out-loud hit comedy BRINGING DOWN THE HOUSE. Peter Sanderson (Martin), a divorced, straitlaced, uptight workaholic attorney, meets a brainy bombshel! l lawyer in an on-line chat room and they make a date. Expecti! ng his s oul mate, he opens the door and finds himself face-to-face with Charlene (Latifah) -- a wild and crazy soul "sister" who's just escaped from prison and wants Peter to clear her name. But Peter wants absolutely nothing to do with her, and that prompts Charlene to turn Peter's perfectly ordered life totally upside down. Hysterical complications abound and Peter soon finds out he may need Charlene just as much as she needs him. It's a houseful of fun your family will enjoy again and again.The pleasingly contrasting comic styles of Queen Latifah and Steve Martin bring some energy to Bringing Down the House, a hopelessly formulaic comedy. Martin plays Peter, an uptight lawyer too obsessed with work to spend quality time with his kids. Into his life comes Queen Latifah as Charlene, an escaped convict who threatens to wreck his relationship with a wealthy but arch-conservative client (Joan Plowright, in high dudgeon) if Peter won't take up her case. Of course, Latifah's exu! berant ways enchant his kids and bring out a looser, livelier side of Peter, all in a series of scenes so standard they hardly register. Thank goodness for Eugene Levy; as one of Peter's law partners with a taste for Charlene's bodacious brand of sexy, Levy's ingenious transformation from nebbish to loverman is the movie's secret weapon, stealthily planting comic explosions amidst the modest rice-krispie-crackle of the stale plot. --Bret Fetzer

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Brooklyn's Finest

  • BROOKLYN'S FINEST (DVD MOVIE)
Something of a genre homecoming, Antoine Fuqua's latest film once again finds him delving into the gritty, brutal realm of cops and crooksâ€"as he did in Training Day. Tango is an undercover officer on a narcotics detail that forces him to choose between duty and friendship. Having been to hell and back, he wants out, but the powers that be won't let him quit. Family-man Sal is a detective tempted by greed and corruption. He can barely make ends meet, and now his wife has an illness that threatens the life of their unborn twins. Eddie is nearing retirement age and has long since lost his dedication to his job as a cop. He wakes up every morning trying to come up with a reason to go on living...and he can't think of one. Fate brings the three men to the same Brooklyn housing project as each takes the law into his own hands. Crosscutting between multiple s! ubplots, Brooklyn's Finest unfolds violently and passionately as coiled, constantly roving cinematography contributes a measure of unease to the underworld action.Fans of the grit of HBO's The Wire, as well as of the mean-streets story intersection plot of Crash, will find a lot to like in the intense crime drama Brooklyn's Finest. Directed by Antoine Fuqua (Training Day) with a sure hand, Brooklyn's Finest follows three NYPD cops who come from very different places (geographically and personally) as their lives, and the compromises they have made daily to coexist with the mean streets of Brooklyn, dovetail to a climax that will have viewers on the edge of their seats. Fuqua has assembled a stellar cast here, including Richard Gere, a veteran cop just a week from retirement; the always amazing Don Cheadle, an undercover officer whose loyalties to the force may be compromised by his growing loyalties to the groups he's in! filtrating; and the film's true revelation, Ethan Hawke, a you! ng corru pt cop whose morals make the stomach turn, though Hawke's performance is nuanced and riveting. Supporting cast members include Wesley Snipes as a badass gangster whom even the police have second thoughts about messing with. Other great performances are turned in by Vincent D'Onofrio, whose wooden delivery works here to make his character all the more menacing; Lili Taylor; and a ravishing, world-weary Ellen Barkin. The action is propelled along by the great performances, the excellent cinematography, Fuqua's deft direction, and the moody score by Brazilian composer Marcelo Zarvos. If the plot is a little far-fetched, even for a crime drama, the stellar performances more than make up for it, making Brooklyn's Finest one of Fuqua's, and certainly Hawke's, finest.
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