- Inspired by the true story of a legendary 25-foot man-eating crocodile comes the intense, terrifying horror movie PRIMEVAL, starring Dominic Purcell (TV's PRISON BREAK) and Orlando Jones (RUNAWAY JURY, EVOLUTION). An American news crew, determined to capture this voracious monster and stop his demonic rampage, travel deep within the darkest reaches of Africa to hunt their prey. But Gustave, as
Inspired by the true story of a legendary 25-foot man-eating crocodile comes the intense, terrifying horror movie PRIMEVAL, starring Dominic Purcell (TV's PRISON BREAK) and Orlando Jones (RUNAWAY JURY, EVOLUTION). An American news crew, determined to capture this voracious monster and stop his demonic rampage, travel deep within the darkest reaches of Africa to hunt their prey. But Gustave, as the natives call him, is also on the hunt รข€" always on the move, always elusive, always hungry for human flesh! . Heart-pounding fear is nonstop in this edge-of-your-seat nail-biter about the cunning killer who continues to blaze his blood-soaked trail of terror.Who would have thought that
Primeval, a movie about a giant man-eating crocodile, would turn out to be closer in spirit to
Hotel Rwanda and
Blood Diamond than to the average slasher-movie horror flick? Perhaps it doesn't aim at the social-issue heights of those more prestigious films, and the acting is uneven to say the least, but give this monster movie credit for trying to get in the smart, edgy vein of some of John Sayles's early scripts for Roger Corman. A cable-TV news crew travels to Burundi to capture footage of (and, if possible, just plain capture) the enormous crocodile that's been terrorizing the local landscape. Making things more complicated: the local landscape is also being terrorized by a civil war. The film does a clever job of weaving the two scourges together, and the script by John Br! ancato and Michael Ferris pays surprisingly explicit attention! to the way the West has been slow to acknowledge human-rights disasters in Africa, calling out Rwanda and Darfur by name. Now if only the characters were more than cardboard-thin; only Orlando Jones, doing the standard-issue wisecracking black sidekick, makes any particular impression. (Poor Jurgen Prochnow, glowering about in the Great White Hunter role--you'd think the guy who commanded
Das Boot could knock off a giant reptile, no problem.) Pedestrian direction doesn't bring the human element to life, but give it up for a fine crocodile--his name is Gustave--who exists in a nifty, hungry computer-generated frenzy for most of his performance. And the script even provides Gustave some behavioral motivation that recalls the it's-not-their-fault-it's-man's-fault spirit of 1950s monster movies. Not a bad effort at all.
--Robert Horton