Tuesday, January 3, 2012

Austin Powers Collection (International Man of Mystery / The Spy Who Shagged Me / Goldmember) [Blu-ray]

  • Condition: New
  • Format: Blu-ray
  • AC-3; Box set; Color; Dolby; Special Edition; Subtitled; Widescreen
Austin Powers-International Man of Mystery Name: Austin Danger Powers. Sex: Yes, please! Combine the swinging '60s, spy movies, talented Mike Myers in dual roles and one hilariously well- placed champagne bottle and you get Austin Powers: International Man of Mystery. Say "Yeah, baby!" for laughs as Flower Power-era superspy Austin (Myers) is thawed from a 30-year cryogenic freeze to stop the world-dominating scheme of bald baddie Dr. Evil (also Myers). Elizabeth Hurley, shagadelic style and Austin's randy attempts to find '60s-style free love in a very different, uptight time add to the groovy fun of this mad, mod, Myers world.

Austin Powers: The Spy Who Shagged Me He's back--back in the 1960s. Secret agent Austin Powers (Mike Myers) hops in a top-secret time machine and z! ips 30 years back to 1969 to confront Dr. Evil (Myers) and his latest, vilest scheme. Evil is eviler â€" he has a diminutive clone Mini-Me (Verne J. Troyer) and massive Fat Bastard (Myers) as a henchmen. Austin, who "put the grrr in swinger, baby," is swingier…if he and fab spy chick Felicity Shagwell (Heather Graham) can recover the mojo Evil stole from Austin.

Austin Powers in Goldmember The mission for Austin (Mike Myers): Shake booty into the glittery roller-disco days of 1975 and rescue his suave spy dad (Michael Caine) from the scheme of â€" Shh! â€" Dr. Evil (Myers). The minions: freaky-flakey Goldmember, Fat Bastard (both played by Myers) and Mini Me (Verne Troyer). The minx: Austin's sassy ex-squeeze Foxxy Cleopatra (Beyoncé Knowles). The result: a three-for-all of grooviness that whisks from the 2000s to the 1970s and back to the 2000s â€" the screamingly funny third Austin Powers!

Saturday, December 31, 2011

Eight Below (Full Screen Edition)

  • Inspired by a true story and the hit Japanese film NANKYOKU MONOGATARI, Frank Marshall s (ALIVE, CONGO) EIGHT BELOW captures a rugged world of ice, snow, and threatening weather that few will ever experience in person. As a guide for a National Science Foundation Research Base in Antarctica, Jerry Shepard (Paul Walker) is perfectly content to spend his time exploring the wilderness with his sled d
Walt Disney Pictures presents EIGHT BELOW, the thrilling tale of incredible friendship between eight amazing sled dogs and their guide Jerry (Paul Walker). Stranded in Antarctica during the most unforgiving winter on the planet, Jerry's beloved sled dogs must learn to survive together until Jerry â€" who will stop at nothing -- rescues them. Driven by unwavering bonds of friendship, enormous belief in one another, and tremendous courage, Jerry and the dogs make an incredible journey to reunite in th! is triumphant and inspiring action-adventure the whole family will treasure.Despite a likable cast of humans, it's the canine stars who steal the show in Eight Below, a terrific live-action adventure in the time-honored Disney tradition. Based on a true story that was previously filmed (much differently) as the 1983 Japanese hit Antarctica, this above-average family film takes place in 1993 and focuses on a dog-sled guide at an Antarctic research station (Paul Walker) who is forced by a severe storm to abandon eight beloved sled dogs for the duration of a harsh Antarctic winter. Left to fend for themselves, the rugged and resourceful dogs encounter danger at every turn, surviving for nearly six months while Walker and his closest colleagues (engagingly played by Bruce Greenwood, Moon Bloodgood, and American Pie's Jason Biggs) join forces to mount a daring rescue mission. Having endured similarly extreme conditions on his 1993 film Alive, director! Frank Marshall brings an abundance of natural splendor (and m! inimum u se of digital wizardry) to spectacularly arctic locations in Norway, Greenland and Canada, and Walker (star of The Fast and the Furious) lends an amiable sincerity to his compassionate role. For most viewers, however, it's the remarkable dogs (six Siberian huskies and two malamutes) who make Eight Below so thoroughly entertaining. It's not quite an instant family classic, but it comes pretty doggone close. --Jeff Shannon

Fireproof Your Marriage Couple's Kit

  • Product Details: Paperback: 96 pages
  • Publisher: Outreach Inc (August 2008), Language: English
  • ISBN-10: 0978715373, ISBN-13: 978-0978715373, Product Dimensions: 8.8 x 5.8 x 1.4 inches
  • Shipping Weight: 13.6 ounces (View shipping rates and policies), Average Customer Review: 4.8 out of 5 stars See all reviews (25 customer reviews), Amazon Bestsellers Rank: #39,245 in Books (See Top 100 in Books)
Lt. Caleb Holt lives by the old firefighter's adage: Never leave your partner behind. Inside burning buildings, it's his natural instinct. In the cooling embers of his marriage, it's another story. After a decade of marriage, Caleb and Catherine Holt have drifted so far apart that they are ready to move on without each other. Yet as they prepare to enter divorce proceedings, Caleb's dad asks his son to try an experiment: The Love Dare. While hoping The Love Dare has not! hing to do with his parents' newfound faith, Caleb commits to the challenge. But can he attempt to love his wife while avoiding God's love for him? Will he be able to demonstrate love over and over again to a person that's no longer receptive to his love? Or is this just another marriage destined to go up in smoke?A feel-good drama, Fireproof has a strong agenda: stay married, lead an honest life, and let your faith in a higher power help guide you. A still boyish-looking Kirk Cameron (Growing Pains) stars as Caleb Holt, a mercurial-tempered firefighter whose marriage is on the rocks. He clearly enjoys his status as a hero, but it comes at the expense of his marriage. His wife Catherine (Erin Bethea) is tired of the distance and wants him to make more of an effort at home, rather than surf porn on the Internet and hoard his earnings toward his dream fishing boat instead of helping out her disabled mother. Faced with impending divorce, Caleb's dad challenge! s him to follow the "40-day love dare," in which each task (co! ok her d inner, say nothing negative, etc.) is meant for him to better understand love and commitment and try and win his wife back. The third film by brothers Alex and Stephen Kendrick, Fireproof is the siblings' most polished feature. Cameron does a fine job of making Caleb real and believable, even when we're not always liking him. Though saddled at times with maudlin lines, Cameron adds emotion and range to his role. There is a not so subtle theme that the Holts--who at the beginning of the film are agnostic--needed religion to save their marriage. Clearly, Fireproof believes in its agenda and was made with the Christian audience in mind. Whether secular audiences will fall under its spell as well is debatable. But no one should walk away from the film offended. --Jae-Ha Kim


Stills from Fireproof (click for larger image)

!

Studio: Sony Pictures Home Ent Release Date: 09/29/2009 ! Run tim e: 118 minutes Rating: PgA feel-good drama, Fireproof has a strong agenda: stay married, lead an honest life, and let your faith in a higher power help guide you. A still boyish-looking Kirk Cameron (Growing Pains) stars as Caleb Holt, a mercurial-tempered firefighter whose marriage is on the rocks. He clearly enjoys his status as a hero, but it comes at the expense of his marriage. His wife Catherine (Erin Bethea) is tired of the distance and wants him to make more of an effort at home, rather than surf porn on the Internet and hoard his earnings toward his dream fishing boat instead of helping out her disabled mother. Faced with impending divorce, Caleb's dad challenges him to follow the "40-day love dare," in which each task (cook her dinner, say nothing negative, etc.) is meant for him to better understand love and commitment and try and win his wife back. The third film by brothers Alex and Stephen Kendrick, Fireproof is the siblings' most po! lished feature. Cameron does a fine job of making Caleb real and believable, even when we're not always liking him. Though saddled at times with maudlin lines, Cameron adds emotion and range to his role. There is a not so subtle theme that the Holts--who at the beginning of the film are agnostic--needed religion to save their marriage. Clearly, Fireproof believes in its agenda and was made with the Christian audience in mind. Whether secular audiences will fall under its spell as well is debatable. But no one should walk away from the film offended. --Jae-Ha Kim


Stills from Fireproof (click for larger image)

DVD-Fireproof by Provident Films

Inside burning buildings, Captain Caleb Holt lives by the firefighter's adage:  Never leave your partner.

Yet at home, in the cooling embers of his marriage, he lives by his own rules.

Growing up, his wife Catherine always dreamed of ! marrying a loving, brave firefighter . . . just like her father.  Now, after seven years of marriage, she wonders when she stopped being "good enough."  Countless arguments and anger have them wanting to move on to something with more sparks. 

As they prepare for divorce, Caleb's father challenges him to commit to a 40-day experiment:  "The Love Dare."  Wondering if it's even worth the effort, Caleb agrees, for his father's sake more than for his marriage.

Surprised by what he discovers about the meaning of love, Caleb realizes that his wife and marriage are worth fighting for.  His job is to rescue others.  Now Captain Holt is ready to face his toughest job      ever . . . rescuing his wife's heart.

In six years of coaching, Grant Taylor has never led his Shiloh Eagles to a winning season. After learning that he and his wife Brooke face infertility, Grant discovers that a group of fathers are secretly organizing to have him dismissed as head! coach. Devastated by his circumstances, he cries out to God i! n desper ation. When Grant receives a message from an unexpected visitor, he searches for a stronger purpose for his football team. He dares to challenge his players to believe God for the impossible on and off the field. When faced with unbelievable odds, the Eagles must step up to their greatest test of strength and courage.Fireproof
Kirk Cameron (Left Behind) stars as Caleb Holt, a heroic fire captain who values dedication and service to others above all else. But the most important partnership in his life, his marriage, is about to go up in smoke. This gripping story follows one man's desire to transform his life and marriage through the healing power of faith and fully embrace the fireman's code: Never Leave Your Partner Behind.

Facing the Giants
In six years of coaching, Grant Taylor has never led his Shiloh Eagles to a winning season. After learning that he and his wife Brooke face infertility, Grant discovers that a grou! p of fathers are secretly organizing to have him dismissed as head coach. Devastated by his circumstances, he cries out to God in desperation. When Grant receives a message from an unexpected visitor, he searches for a stronger purpose for his football team. He dares to challenge his players to believe God for the impossible on and off the field. When faced with unbelievable odds, the Eagles must step up to their greatest test of strength and courage.

Flywheel
Jay Austin wants to sell you a used car, but watch out! Many victims have fallen prey to his smiling face and hasty promises. Austin does everything his way until his dishonesty and manipulation are repeatedly exposed. Like many men, he becomes disgusted by the masks he wears and lies he tells. While having a classic convertible repaired, Austin begins a humorous and inspiring journey to win back the hearts of his wife, his son, and his community. In every man's life, there can be a turni! ng point. When Jay Austin makes his turn, he never looks back.! Jay Au stin wants to sell you a used car, but watch out! Many victims have fallen prey to his smiling face and hasty promises. Austin does everything his way until his dishonesty and manipulation are repeatedly exposed. Like many men, he becomes disgusted by the masks he wears and lies he tells. While having a classic convertible repaired, Austin begins a humorous and inspiring journey to win back the hearts of his wife, his son, and his community. In every man's life, there can be a turning point. When Jay Austin makes his turn, he never looks back.Flywheel is the first film from the creators of Facing the Giants and Fireproof. Used car salesman Jay Austin (writer/director Alex Kendrick) swindles his customers and teaches his assistant salesmen to do the same--but despite the profits, something gnaws at him. When he realizes that his own son doesn't respect him, Austin has a conversion and accepts God into his life. This would be the end of most spiritual stor! ies, but Flywheel finds a warm comedy in the obstacles on the path of righteousness; Austin discovers that being right with God means grappling every day with what it means to be honest. Though the filmmaking is raw (the editing is often clumsy and the cinematography is flat), the story is well-paced, has a gently ironic sense of humor, and Kendrick's central performance is compelling. Kendrick is just as persuasive as a man struggling to emerge from a joyless life as he is when he's rediscovered his faith but finds it constantly tested. Though Flywheel is forthright about its Christian inspiration, the story is about actually living a moral life, not about abstract spiritual truths. The result is a movie that looks towards heaven, but has its feet on the earth. --Bret FetzerHere's everything you need to use the Fireproof film to help build strong, God-centered relationships. Couple's kit includes 6-session DVD with discussion-starting movie segments an! d two participant's guides that integrate Scriptures and video! clips w ith questions and devotions for individuals and couples. Also makes a great wedding or anniversary gift! Fireproof Your Marriage includes these six sessions: 1.) He Said/She Said: appreciating the God-designed differences between men and women. 2.) He First Loved Us: God's love for you and how it enables you to love others. 3.) Love for a Lifetime: marriage as a lifelong covenant. 4.) Breaking Free: freeing yourself from temptations that can destroy a marriage. 5.) Forgiveness: offering and receiving forgiveness. 6.) A Better Way of Loving: unconditional love. Churches can purchase in bulk at www.Outreach.com and save.

Chasing Amy (Import) [Blu-ray]

  • Format: Widescreen, Import
  • Language: English
  • Aspect Ratio: 1.78:1
  • Run Time: 113 minutes
  • Actors: Ben Affleck, Joey Lauren Adams, Jason Lee, Dwight Ewell, Jason Mewes
Chasing Amy is the third installment in the "New Jersey Trilogy" from award-winning writer-director Kevin Smith (Clerks, Mallrats, Dogma). Cult comic-book artist Holden (Ben Affleck) falls in love with fellow artist Alyssa (Joey Lauren Adams), only to be thwarted by her sexuality, the disdain of his best friend Banky (Jason Lee), and his own misgivings about himself. Filled with Smith's unique ear for dialogue and insight into relationships, Chasing Amy offers a thoughtful, funny look at how perceptions alter lives, and how obsession and self-doubt skew reality. Writer-director Kevin Smith (Clerks) makes a huge leap in sophistication with this strong story about a comic-! book artist (Ben Affleck) who falls in love with a lesbian (Joey Lauren Adams) and actually gets his wish that she love him, too. Their relationship is attacked, however, by his business partner (Jason Lee), who pulls a very unsubtle Iago act to cast doubt over the whole affair. The film has the same sense of insiderness as Clerks--this time, Smith takes us within the arcane, funny world of comic-book cultism--but the themes of jealousy, deceit, and the high price of growing up enough to truly care for someone make this a very satisfying movie. --Tom Keogh Chasing Amy is the third installment in the "New Jersey Trilogy" from award-winning writer-director Kevin Smith (Clerks, Mallrats, Dogma). Cult comic-book artist Holden (Ben Affleck) falls in love with fellow artist Alyssa (Joey Lauren Adams), only to be thwarted by her sexuality, the disdain of his best friend Banky (Jason Lee), and his own misgivings about himself. Filled with Smith's unique ear for dialo! gue and insight into relationships, Chasing Amy offers a thoug! htful, f unny look at how perceptions alter lives, and how obsession and self-doubt skew reality.Writer-director Kevin Smith (Clerks) makes a huge leap in sophistication with this strong story about a comic-book artist (Ben Affleck) who falls in love with a lesbian (Joey Lauren Adams) and actually gets his wish that she love him, too. Their relationship is attacked, however, by his business partner (Jason Lee), who pulls a very unsubtle Iago act to cast doubt over the whole affair. The film has the same sense of insiderness as Clerks--this time, Smith takes us within the arcane, funny world of comic-book cultism--but the themes of jealousy, deceit, and the high price of growing up enough to truly care for someone make this a very satisfying movie. --Tom Keogh CHASING AMY, the third installment in the New Jersey Trilogy from award-winning writer/director Kevin Smith becomes more intimate and alive than ever on Blu-ray. Cult comic-book artist Holden (Ben Affleck) ! falls in love with fellow artist Alyssa (Joey Lauren Adams), only to be thwarted by her sexuality, the disdain of his best friend Banky (Jason Lee) and his own misgivings about himself. Filled with Smith's unique ear for dialogue and insight into relationships, CHASING AMY offers a thoughtful, funny look at how perceptions alter lives, and how obsession and self-doubt skew reality -- now with the pristine picture and theater-quality sound of Blu-ray High Definition.

Bonus Features Include: Audio Commentary With Writer/Director/Actor Kevin Smith And Producer Scott Mosier, Tracing Amy: The CHASING AMY Doc, Was It Something I Said? -- A Conversation With Kevin & Joey, 10 Years Later Q & A -- With Kevin Smith And The Cast, Deleted Scenes, Outtakes, TrailerWriter-director Kevin Smith (Clerks) makes a huge leap in sophistication with this strong story about a comic-book artist (Ben Affleck) who falls in love with a lesbian (Joey Lauren Adams) and actually gets his! wish that she love him, too. Their relationship is attacked, ! however, by his business partner (Jason Lee), who pulls a very unsubtle Iago act to cast doubt over the whole affair. The film has the same sense of insiderness as Clerks--this time, Smith takes us within the arcane, funny world of comic-book cultism--but the themes of jealousy, deceit, and the high price of growing up enough to truly care for someone make this a very satisfying movie. --Tom KeoghStudio: Lions Gate Home Ent. Release Date: 05/17/2011 Run time: 113 minutes Rating: RWriter-director Kevin Smith (Clerks) makes a huge leap in sophistication with this strong story about a comic-book artist (Ben Affleck) who falls in love with a lesbian (Joey Lauren Adams) and actually gets his wish that she love him, too. Their relationship is attacked, however, by his business partner (Jason Lee), who pulls a very unsubtle Iago act to cast doubt over the whole affair. The film has the same sense of insiderness as Clerks--this time, Smith takes us within ! the arcane, funny world of comic-book cultism--but the themes of jealousy, deceit, and the high price of growing up enough to truly care for someone make this a very satisfying movie. --Tom Keogh Writer-director Kevin Smith (Clerks) makes a huge leap in sophistication with this strong story about a comic-book artist (Ben Affleck) who falls in love with a lesbian (Joey Lauren Adams) and actually gets his wish that she love him, too. Their relationship is attacked, however, by his business partner (Jason Lee), who pulls a very unsubtle Iago act to cast doubt over the whole affair. The film has the same sense of insiderness as Clerks--this time, Smith takes us within the arcane, funny world of comic-book cultism--but the themes of jealousy, deceit, and the high price of growing up enough to truly care for someone make this a very satisfying movie. --Tom Keogh BOTH DUMPED BY THEIR GIRLFRIENDS, TWO BEST FRIENDS SEEK REFUGEIN THE LOCAL MALL.Sophomore! jinx hit hard in this second film by Kevin Smith, whose debut! Cler ks transcended the limits of its setting and budget to become something memorably funny. (Smith followed Mallrats with the wonderful Chasing Amy, so Mallrats definitely had the old curse.) A ramshackle comedy set in a mall, the film follows several story lines involving lovers, enemies, friends, goofballs, and Smith's own "silent" character, who also appeared in Clerks and Chasing Amy. A heavy self-consciousness weighs on everything, as if Smith forgot how to make obscenity funny instead of tedious. Still, it's nice to see some of the director's film family on screen, among them Jason Lee and Joey Lauren Adams. --Tom Keogh When two banished angels find a loophole that will allow them back into heaven at the cost of humankind an unsuspecting mortal woman two prophets and the thirteenth apostle are the only ones who can stop them. Special features: subtitles in english spanish and french talent files and murch more. Studio: Ingram! Entertainment Release Date: 07/26/2005 Starring: Ben Affleck Matt Damon Run time: 130 minutes Rating: R Director: Kevin SmithKevin Smith is a conundrum of a filmmaker: he's a writer with brilliant, clever ideas who can't set up a simple shot to save his life. It was fine back when Smith was making low-budget films like Clerks and Chasing Amy, both of which had an amiable, grungy feel to them, but now that he's a rising director who's attracting top talent and tackling bigger themes, it might behoove him to polish his filmmaking. That's the main problem with Dogma--it's an ambitious, funny, aggressively intelligent film about modern-day religion, but while Smith's writing has matured significantly (anyone who thinks he's not topnotch should take a look at Chasing Amy), his direction hasn't. It's too bad, because Dogma is ripe for near-classic status in its theological satire, which is hardly as blasphemous as the protests that greeted! the movie would lead you to believe.

Two banished angels! (Ben Af fleck and Matt Damon) have discovered a loophole that would allow them back into heaven; problem is, they'd destroy civilization in the process by proving God fallible. It's up to Bethany (Linda Fiorentino), a lapsed Catholic who works in an abortion clinic, to save the day, with some help from two so-called prophets (Smith and Jason Mewes, as their perennial characters Jay and Silent Bob), the heretofore unknown 13th apostle (Chris Rock), and a sexy, heavenly muse (the sublime Salma Hayek, who almost single-handedly steals the film). In some ways Dogma is a shaggy dog of a road movie--which hits a comic peak when Affleck and Fiorentino banter drunkenly on a train to New Jersey, not realizing they're mortal enemies--and segues into a comedy-action flick as the vengeful angels (who have a taste for blood) try to make their way into heaven. Smith's cast is exceptional--with Fiorentino lending a sardonic gravity to the proceedings, and Jason Lee smirking evilly as the ho! rned devil Azrael--and the film shuffles good-naturedly to its climax (featuring Alanis Morissette as a beatifically silent God), but it just looks so unrelentingly... subpar. Credit Smith with being a daring writer but a less-than-stellar director. --Mark EnglehartWriter-director Kevin Smith (Clerks) makes a huge leap in sophistication with this strong story about a comic-book artist (Ben Affleck) who falls in love with a lesbian (Joey Lauren Adams) and actually gets his wish that she love him, too. Their relationship is attacked, however, by his business partner (Jason Lee), who pulls a very unsubtle Iago act to cast doubt over the whole affair. The film has the same sense of insiderness as Clerks--this time, Smith takes us within the arcane, funny world of comic-book cultism--but the themes of jealousy, deceit, and the high price of growing up enough to truly care for someone make this a very satisfying movie.Writer-director Kevin Smith (Clerks) mak! es a huge leap in sophistication with this strong story about ! a comic- book artist (Ben Affleck) who falls in love with a lesbian (Joey Lauren Adams) and actually gets his wish that she love him, too. Their relationship is attacked, however, by his business partner (Jason Lee), who pulls a very unsubtle Iago act to cast doubt over the whole affair. The film has the same sense of insiderness as Clerks--this time, Smith takes us within the arcane, funny world of comic-book cultism--but the themes of jealousy, deceit, and the high price of growing up enough to truly care for someone make this a very satisfying movie. --Tom Keogh

Friday, December 30, 2011

Edge of Darkness

  • The bullet that killed his daughter was meant for Boston cop Thomas Craven. That s what police brass and Craven himself think, but that s not what the investigation finds. Clue after clue and witness after witness, the search leads him into a shadowy realm where money and political intrigue intersect. If Craven wasn t a target before, he and anyone linked to his inquiry now is. Mel Gibson stars in
The bullet that killed his daughter was meant for Boston cop Thomas Craven. That’s what police brass and Craven himself think, but that’s not what the investigation finds. Clue after clue and witness after witness, the search leads him into a shadowy realm where money and political intrigue intersect. If Craven wasn’t a target before, he--and anyone linked to his inquiry--now is. Mel Gibson stars in his first screen lead in eight years, making Craven’s grief palpable and his quest for paybac! k stone-cold and relentless. Martin Campbell (Casino Royale) directs from a screenplay co-written by The Departed’s William Monahan. Gibson is back, taking us to the edge…and into the sinister darkness.The good news is that Edge of Darkness (no relation to the fine 1943 war picture of that name) brings back Mel Gibson in front of the camera for the first time in nearly a decade. Although he's grown creased and leathery and his thatch has thinned, the movie star who was Mad Max still has the charisma and gravitas to center a dodgy suspense tale and propel it to the finish line. Gibson plays veteran Boston police detective Tom Craven, who welcomes home daughter Emma (Bojana Novakovic) for a rare visit, then sees her shot down at his front door. Because the gunman shouted "Craven!" and because a cop makes enemies, Tom assumes Emma took a bullet meant for him, which adds considerably to his grief and pain. But as he looks into the life of a daughter he loved y! et scarcely knew, he discovers she'd been preparing to turn wh! istleblo wer on her employer, a corporation doing unsavory clandestine things for the government. Craven starts having oblique chats with a philosophical Brit named Jedburgh (Ray Winstone), who keeps turning up unexpectedly--in Craven's backyard at night, say--always giving the distinct impression that he could just as well kill a fellow instead of schmoozing. Their strange rapport, like Craven's tendency to mutter ironical asides as if in ongoing conversation with the departed Emma, is more intriguing than the conspiracy involving corporate skullduggery and a rogue assassination bureau. The bar for that sort of thing was set in post-Watergate days by Alan J. Pakula's The Parallax View, and we're nowhere near its cinematic elegance or pervasive paranoia. Edge of Darkness, based on a British miniseries from 1985, was directed by Martin Campbell, who also handled the six-hour original (and more recently the successful James Bond reboot Casino Royale). Campbell does! decent-enough work--the occasional bursts of "shocking action" do shock even as we know they're coming--but rarely exceeds generic requirements. For killing comparison among contemporary suspense films, catch Roman Polanski's The Ghost Writer, in which every frame unsettlingly conveys a world where disquiet is the natural order of things. --Richard T. Jameson

Thursday, December 29, 2011

Food, Inc.

  • In Food, Inc., filmmaker Robert Kenner lifts the veil on our nation's food industry, exposing the highly mechanized underbelly that's been hidden from the American consumer with the consent of our government's regulatory agencies, USDA and FDA. Our nation's food supply is now controlled by a handful of corporations that often put profit ahead of consumer health, the livelihood of the American farm
Food, Inc. lifts the veil on our nation's food industry, exposing how our nation's food supply is now controlled by a handful of corporations that often put profit ahead of consumer health, the
livelihood of the American farmer, the safety of workers and our own environment. Food, Inc. reveals surprising and often shocking truths about what we eat, how it's produced and who we have become as a nation.

Q&A with Producer/Director Robert Kenner, Co-Producer/Fo! od Expert Eric Schlosser, Food Expert Michael Pollan and Producer Elise Pearlstein

How did this film initially come about?
Kenner: Eric Schlosser and I had been wanting to do a documentary version of his book, Fast Food Nation.  And, for one reason or another, it didn't happen. By the time Food, Inc. started to come together, we began talking and realized that all food has become like fast food, and all food is being created in the same manner as fast food.

How has fast food changed the food we buy at the supermarket?
Schlosser: The enormous buying power of the fast food industry helped to transform the entire food production system of the United States.  So even when you purchase food at the supermarket, you’re likely to be getting products that came from factories, feedlots and suppliers that emerged to serve the fast food chains.

How many years did it take to do this film and what wer! e the ch allenges?
Kenner: From when Eric and I began talking, about 6 or 7 years.  The film itself about 2 ½ years.  It has taken a lot longer than we expected because we were denied access to so many places.

Pearlstein: When Robby brought me into the project, he was adamant about wanting to hear all sides of the story, but it was nearly impossible to gain access onto industrial farms and into large food corporations.  They just would not let us in.  It felt like it would have been easier to penetrate the Pentagon than to get into a company that makes breakfast cereal.  The legal challenges on this film were also unique.  We found it necessary to consult with a first amendment lawyer throughout the entire filming process.

Who or what influenced your film?
Kenner: This film was really influenced by Eric Schlosser and Fast Food Nation, but then as we were progressing ! and had actually gotten funding, it became very influenced as well by Michael Pollan and his book Omnivore’s Dilemma. 

And then, as we went out into the world, we became really incredibly influenced by a lot of the farmers we met.

What was the most surprising thing you learned?
Kenner: As we set out to find out how our food was made, I think the thing that really became most shocking is when we were talking to a woman, Barbara Kowalcyk, who had lost her son to eating a hamburger with E. coli, and she’s now dedicated her life to trying to make the food system safer. It’s the only way she can recover from the loss of her child. But when I asked her what she eats, she told me she couldn't tell me because she would be sued if she answered.

Or we see Carol possibly losing her chicken farm … or we see Moe, a seed cleaner who’s just being sued for amounts that there’s no way he can pay, even thoug! h he’s not guilty of anything.  Then we realized there’s ! somethin g going on out there that supersedes foods. Our rights are being denied in ways that I had never imagined. And it was scary and shocking. And that was my biggest surprise.

So, what does our current industrialized food system say about our values as a nation?
Pollan:
It says we value cheap, fast and easy when it comes to food like so many other things, and we have lost any connection to where our food comes from.

Kenner: I met a cattle rancher and he said, you know, we used to be scared of the Soviet Union or we used to think we were so much better than the Soviet Union because we had many places to buy things.  And we had many choices.  We thought if we were ever taken over, we’d be dominated where we’d have to buy one thing from one company, and how that’s not the American way.  And he said you look around now, and there’s like one or two companies dominating everything in the food world. We’ve become what ! we were always terrified of.

And that just always haunted me â€" how could this happen in America?  It seems very un-American that we would be so dominated, and then so intimidated by the companies that are dominating this marketplace.

How has the revolving door relationship between giant food companies and Washington affected the food industry?
Pearlstein:
We discovered that the food industry has managed to shape a lot of laws in their favor.  For example, massive factory farms are not considered real factories, so they are exempt from emissions standards that other factories face.  A surprising degree of regulation is voluntary, not mandatory, which ends up favoring the industry. 

What have been the consequences for the American consumer?
Kenner:
Most American consumers think that we are being protected.  But that is not the case.  Right now the USDA does not have the authority to shut down a plant ! that is producing contaminated meat.  The FDA and the USDA ha! ve had t heir inspectors cut back.  And it’s for these companies now to self-police, and what we’ve found is, when there’s a financial interest involved, these companies would rather make the money and be sued than correct it.  Self-policing has really just been a miserable failure.  And I think that's been really quite harmful to the American consumer and to the American worker. 

Pearlstein: The food industry has succeeded in keeping some very important information about their products hidden from consumers.  It’s outrageous that genetically modified foods don’t need to be labeled.  Today more than 70% of processed foods in the supermarket are genetically modified and we have absolutely no way of knowing.  Whatever your position, you should have the right to make informed choices, and we don’t.  Now the FDA is contemplating whether or not to label meat and milk from cloned cows.  It seems very basic that consumers should have the right t! o know if they’re eating a cloned steak.

Is it possible to feed a nation of millions without this kind of industrialized processing?
Pollan:
Yes.  There are alternative ways of producing food that could improve Americans’ health.  Quality matters as much as quantity and yield is not the measure of a healthy food system.  Quantity improves a population’s health up to a point; after that, quality and diversity matters more.  And it’s wrong to assume that the industrialized food system is feeding everyone well or keeping the population healthy.  It’s failing on both counts.

There is a section of the film that reveals how illegal immigrants are the faceless workers that help to bring food to our tables.  Can you give us a profile of the average worker?
Schlosser:
The typical farm worker is a young, Latino male who does not speak English and earns about $10,000 a year.  The typical meatpacking worker ha! s a similar background but earns about twice that amount.  A ! very lar ge proportion of the nation’s farm workers and meatpackers are illegal immigrants.

Why are there so many Spanish-speaking workers?
Kenner:
The same thing that created obesity in this country, which is large productions of cheap corn, has put farmers out of work in foreign countries, whether it’s Mexico, Latin America or around the world.  And those farmers can no longer grow food and compete with the U.S.’ subsidized food.  So a lot of these farmers needed jobs and ended up coming into this country to work in our food production.

And they have been here for a number of years.  But what’s happened is that we’ve decided that it’s no longer in the best interests of this country to have them here.  But yet, these companies still need these people and they’re desperate, so they work out deals where they can have a few people arrested at a certain time so it doesn’t affect production. But it affects people’s lives.  And ! these people are being deported, put in jail and sent away, but yet, the companies can go on and it really doesn’t affect their assembly line.  And what happens is that they are replaced by other, desperate immigrant groups.

Could the American food industry exist without illegal immigrants?
Schlosser:
The food industry would not only survive, but it would have a much more stable workforce.  We would have much less rural poverty.  And the annual food bill of the typical American family would barely increase.  Doubling the hourly wage of every farm worker in this country might add $50 at most to a family’s annual food bill.

What are scientists doing to our food and is it about helping food companies’ bottom line or about feeding a growing population?
Schlosser:
Some scientists are trying to produce foods that are healthier, easier to grow, and better for the environment.  But most of the food scientists ar! e trying to create things that will taste good and can be made! cheaply without any regard to their social or environmental consequences.

I am not opposed to food science.  What matters is how that science is used … and for whose benefit.

Can a person eat a healthy diet from things they buy in the supermarket if they are not buying organic? If so, how?
Pollan:
Yes, the supermarkets still carry real food.  The key is to shop the perimeter of the store and stay out of the middle where most of the processed food lurks.

How are low-income families impacted at the supermarket?
Kenner:
Things are really stacked against low-income families in this country.  There is a definite desire of the food companies to sell more product to these people because they have less time, they’re working really hard and they have fewer hours in their day to cook.  And the fast food is very reasonably priced.  Coke is selling for less than water.  So when these things are happening, it’s easi! er for low-income families sometimes to just go in and have a quick meal if they don’t get home until 10 o’clock at night.  At the moment, our food is unfairly priced towards bad food.

And, in the same way that tobacco companies went after low-income people because they were heavy users, food companies are going after low-income people because they can market to them, they can make it look very appealing.

What can low-income families do to eat healthier?
Schlosser:
As much as possible, they can avoid cheap, processed foods and fast foods.  It’s possible to eat well and inexpensively.  But it takes more time and effort to do so, and that’s not easy when you’re working two jobs and trying to just to keep your head above water.  The sad thing is that these cheap foods are ultimately much more expensive when you factor in the costs of all the health problems that come later.

Pollan: It’s possible to ! eat healthy food on a budget but it takes a greater investment! of time .  If you are willing to cook and plan ahead, you can eat local, sustainable food on a budget.

If someone wanted to get involved and help change the system, what would you suggest they do?
Pearlstein:
I hope people will want to be more engaged in the process of eating and shopping for food.  We have learned that there are a lot of different fronts to fight on this one, and people can see what most resonates with them.  Maybe it’s really just “voting with their forks” â€" eating less meat, buying different food, buying from companies they feel good about, going to farmers markets.

People can try to find a CSA â€" community supported agriculture â€" where you buy a share in a farm and get local food all year.  That really helps support farmers and you get fresh, seasonal food.  On the local political level, people can work on food access issues, like getting more markets into low income communities, getting better lunch program! s in schools, trying to get sodas out of schools.  And on a national level, we’ve learned that reforming the Farm Bill would have a huge influence on our food system. It requires some education, but it is something we should care about.

What do you hope people take away from this film?
Schlosser:
I hope it opens their eyes.

Kenner: That things can change in this country. It changed against the big tobacco companies.  We have to influence the government and readjust these scales back into the interests of the consumer.  We did it before, and we can do it again.

Pollan: A deeper knowledge of where their food comes from and a sense of outrage over how their food is being produced and a sense of hope and possibility of the alternatives springing up around the country.  Food, Inc. is the most important and powerful film about our food system in a generation.

For most Americans, the ! ideal meal is fast, cheap, and tasty. Food, Inc. examin! es the c osts of putting value and convenience over nutrition and environmental impact. Director Robert Kenner explores the subject from all angles, talking to authors, advocates, farmers, and CEOs, like co-producer Eric Schlosser (Fast Food Nation), Michael Pollan (The Omnivore's Dilemma), Gary Hirschberg (Stonyfield Farms), and Barbara Kowalcyk, who's been lobbying for more rigorous standards since E. coli claimed the life of her two-year-old son. The filmmaker takes his camera into slaughterhouses and factory farms where chickens grow too fast to walk properly, cows eat feed pumped with toxic chemicals, and illegal immigrants risk life and limb to bring these products to market at an affordable cost. If eco-docs tends to preach to the converted, Kenner presents his findings in such an engaging fashion that Food, Inc. may well reach the very viewers who could benefit from it the most: harried workers who don't have the time or income to read every book and eat ! non-genetically modified produce every day. Though he covers some of the same ground as Super-Size Me and King Corn, Food Inc. presents a broader picture of the problem, and if Kenner takes an understandably tough stance on particular politicians and corporations, he's just as quick to praise those who are trying to be responsible--even Wal-Mart, which now carries organic products. That development may have more to do with economics than empathy, but the consumer still benefits, and every little bit counts. --Kathleen C. Fennessy

Pro Balance® Betta 7-Day Vacation Feeding Blocks, Fish Shape (6/Card)

  • Each time-release block can feed your 10-15 gallon aquarium for up to 7 days.
  • Made with Pro Balance® high-quality fish food.
  • Contains fish favorites like tubifex & bloodworm along with essential vitamins, minerals & more.
  • Vitamin fortified formula releases a nutritious freeze-dried food while also neutralizing aquarium water.
small paperback about fighting fishBetta Fish, or “Fighting Fish” as they are known are prized by owners for the wonderfully bright coloring and their long flowing tails and fins. Fighting fish can be found in a multitude of colors from deep orange and reds through to blues, whites and green. But what is so fascinating about these fish are their personalities. Newcomers to raising fighting fish will be surprised to learn the fish are air breathing and consequently spend a lot of time in the upper part of the tank. People who breed them claim ! that because of this they are far more interactive than common goldfish for example, and they appear to develop personalities which you will notice as you spend more time with them.

While there is a lot of care involved in keeping these fish successfully breeding fighting fish is a hobby or small business venture that can be started with very minimal start up costs. What is important to remember is that these fish do suffer from stress and they can get sick quite easily if they are not cared for properly. You will learn more about the correct way of caring for them as you work through this book.

This book has been laid out as a step-by-step guide from choosing a tank, to buying the fish and where is the best place to source them; to the more advanced techniques of keeping more than one fish in a tank and of course breeding them. Some of the details might seem a little tedious to newcomers who are not aware of how a fighting fish responds to their envi! ronment â€" happy fish are interactive, feed well and are ener! getic; l ethargic fish who don’t eat a great deal are suffering from some kind of problem. The information in this book will help you to understand what warning signs to look for when you are caring for your fish and how you can make changes to their tank and environment to help keep them in good condition.

At the conclusion of this book we have included some really good online resources that will direct you to the best places to buy your fish from as well as organizations and clubs that re devoted to the art of fighting fish care.

Betta Fish, or “Fighting Fish” as they are known are prized by owners for the wonderfully bright coloring and their long flowing tails and fins. Fighting fish can be found in a multitude of colors from deep orange and reds through to blues, whites and green. But what is so fascinating about these fish are their personalities. Newcomers to raising fighting fish will be surprised to learn the fish are air breathing and consequent! ly spend a lot of time in the upper part of the tank. People who breed them claim that because of this they are far more interactive than common goldfish for example, and they appear to develop personalities which you will notice as you spend more time with them.

While there is a lot of care involved in keeping these fish successfully breeding fighting fish is a hobby or small business venture that can be started with very minimal start up costs. What is important to remember is that these fish do suffer from stress and they can get sick quite easily if they are not cared for properly. You will learn more about the correct way of caring for them as you work through this book.

This book has been laid out as a step-by-step guide from choosing a tank, to buying the fish and where is the best place to source them; to the more advanced techniques of keeping more than one fish in a tank and of course breeding them. Some of the details might seem a little tedious to! newcomers who are not aware of how a fighting fish responds t! o their environment â€" happy fish are interactive, feed well and are energetic; lethargic fish who don’t eat a great deal are suffering from some kind of problem. The information in this book will help you to understand what warning signs to look for when you are caring for your fish and how you can make changes to their tank and environment to help keep them in good condition.

At the conclusion of this book we have included some really good online resources that will direct you to the best places to buy your fish from as well as organizations and clubs that re devoted to the art of fighting fish care.

Pro Balance® Betta Vacation Feeding Blocks help you enjoy your vacation while ensuring your precious Betta are well fed. This package include 6 fish-shaped feeders that can each feed 1-3 fish for up to 7 days. Each 7-Day Betta Block releases a nutritious blend of freeze-dried foods and essential vitamins while also helping to neutralize your aquarium water pH levels! . Simply place one block in your aquarium and the block will slowly dissolve releasing the nutritious freeze-dried foods. To get the best results and most efficient release of particles from Betta Blocks, keep a minimum temperature of 72° F and a starting pH level of 6.6 to 7.0. Each feeder uses a time release formula to feed your 10-15 gallon tank for up to seven days. Blocks are loaded with fish favorites like tubifex & bloodworm along with added essential vitamins, minerals & more. Each block can last up to 7 days depending on the pH level & temperature in your aquarium. Pro Balance® 7-Day Betta Vacation Blocks are the perfect food for your Siamese Fighting Fish while you are away.

Tuesday, December 20, 2011

Trend Lab Versailles Black and White 2 Piece Frame Set

  • Set of two frames
  • Black and white scroll print on one frame
  • Black and white diamond print on one frame
  • Each frame holds 4" x 6" photo
  • Each frame has satin ribbon for hanging
Black and white décor is at once dramatic and understated, modern and classic, apparent in the work of iconic designers such as Dorothy Draper and Madeleine Castaing but just as present in design today. And the inspiration is all around usâ€"from nature (a zebra’s stripes, tree trunks rising from drifts of snow) to old Hollywood movies and fashion to black-and-white photography and patterns we encounter in our everyday lives (crossword puzzles and the pages of our favorite novels). 

In Black and White (and a Bit in Between), acclaimed interior designer Celerie Kemble trades in her signature vivid palette for this iconic aesthetic, highlighting the black and white work of! design stars and peers, including Bunny Williams, Thomas O’Brien, Mary McDonald, Victoria Hagan, Mark Hampton, Delphine Krakoff, Brad Ford, Philip Gorrivan, Carrier and Co., and Miles Redd, and welcoming you into more than 100 spaces in every imaginable aesthetic. Woven throughout are her witty observations and expert advice on choosing the best paints and finishes, adding patterns and accessories, building an entire room scheme based on inspiration found in nature, collecting black and white objects, and even choosing the perfect accent colors. 

With more than 350 gorgeous color photographs, this is a vividly photographed celebration of a timeless scheme, infused with inspirational tips, glimpses into showstopping homes, and proof that a limited palette is anything but.VERSAILLES BLACK AND WHITE 2 PIECE FRAME SET